Home Plan Design – Design Harmony and Proportion

INTRODUCTION

Home Plan Design – Design Harmony and Proportion, This article is supposed as a reference toolbox for home plan layout concord and proportion. The writer prefers to deal with the realistic how-to of it. The writer, a custom home designer, suggests that there’s an area in dressmaker domestic plans for age-old Western notions of cohesion, Concord, order, share, even Classicism.
 
Noteworthy, these types of approach and reasons relevant to designer house plans had been addressed in the literature and elsewhere to public or very massive non-public structures ‘“ coliseums, church buildings, big bank buildings, and the like – not often to the home layout.
 
The writer has begun making use of some very old ideas of design to a few very new houses with fulfillment and surprises.
 

SUGGESTED READINGS

There’s many studying on architectural layout proportion and Classical layout. Most of it is no longer especially interesting ‘“ medical arithmetic, nautilus shells, and phyllotaxis, irrelevance borne of style, size, etc.
 
In the writer’s opinion, these works are some of the better:
1. The heady, heavy-going: Architectural Principles within the Age of Humanism through Rudolf Wittkower, W. W. Norton & Company, 1971.
 
2. The unique and well-written The Golden Ratio: The Story of Phi, The World’s Most Astonishing Number by way of Mario Livio, Broadway Books, 2002.
 
3.  The commanding presentation of the Orders, their making and remaking in The Classical Language of Architecture by John Summerson, The MIT Press, 1962.
 
4. Of methods and materials, Traditional Construction Patterns: Design & Detail Rules Of Thumb with the aid of Stephen Mouzon et al., McGraw-Hill. 2005.
 
5. The thoughtful, The Old Way of Seeing: How Architecture Lost Its Magic (And How to Get It Back) by using Jonathan Hale, Houghton Mifflin, 1994.
 
6. The overarching [but not over-reaching, not hardly], A Pattern Language: Towns, Building, Construction with the aid of C. Alexander et al., Oxford University Press, 1977 and its companion The Timeless Way of Building via Christopher Alexander, Oxford University Press, 1979.
 
FAVORED HOUSE DESIGN HARMONIES AND PROPORTIONS

Home Plan Design

As to percentage and proportions on my own, here are those favored by means of the author, for his or her simplicity of expression:
 
1. Golden Mean, or Golden Section or Golden Ratio, or Mark Barr’s Ratio of Pheidias (a/k/a Phidias), or phi.
 
2. Lambda in Plato’s Timaeus plus five & 7.
 
3. Regulating strains (ou tracè(c)s regulators è Los Angeles Auguste Choisy et Le Corbusier)
Subjectively, this is approximately balance, rhythm, symmetry, a sense of schema from illusive to difficult rock.
 

PERSPECTIVE

For perspective, As some distance because the legal guidelines of arithmetic seek advice from a fact, they’re not positive; as a long way as they may be certain, they do no longer discuss with fact. Sidelight on Relativity by way of A. Einstein, translated via G. B. Jeffery and W. Perret, London, 1922.
 
The practical use of these metrics thus far for the writer mostly relates – a) superb integers from 1-nine only, b) plus Phi and phi, c) typically obvious and usually symmetrical strains of relationship.
 

PRACTICAL OBSERVATIONS

 
Comment: The practical use of these formulations is to relate those numerical values and physical relationships ‘“
 
1. Whole, superb integers from 1-nine
 
2. Plus Phi and phi
 
3. Generally apparent and usually symmetrical strains of courting
 
4. The Fibonacci series in aspects of development
 
Comment: In this dressmaker’s opinion, you can get almost anywhere from right here with ordered proportions using a matrix touching on 1-9 to 1-nine, retaining it simple. You recognize, 1:1, 1:2 . . . 9:8, 9:nine. This home fashion designer has also leaned into Phi=1.618, phi=0.618, and early entries within the Fibonacci series 0, 0, 1, 2, three, 5, 8, thirteen, 21, 34, 55, 89, … Vesica Piscis, logarithmic spirals, dodecahedrons, and so on are fare for others for now.
 
Comment: Rule of thumb (no longer this dressmaker’s, but he cannot do not forget whose sentiment this first turned into, and he thinks that, though the primary guy became talking cathedrals or the like many centuries back, the factor is a better reference for domestic design than for large constructs): attend to ratios between 4:3 and seven:1 as the range of observable length distinction.
 
Comment: If you’re within the hunt for numerical relationships, knock yourself out: tune principle online: pitch, temperament, & timbre; lesson 27 by means of Brian Blood, http://www.Dolmetsch.Com/musictheory27.Htm, assisting (amongst others) Julien Guadet’s proposition, Les proportions, c’est l’infini. Elè(c)ments et thè(c)orie de l’structure via J. Guadet, Four volumes, first ed. 1901-1904, fourth ed. 1915, Vol. I, p. 138 ff.
 
Forming home design in a framework of percentage, the writer reveals that ‘“
1. It’s mannerless difficult to start drawing with a share in thoughts as a layout premise than to strive its imposition afterward.
 
2. Complexity can triumph over order or at least go away the realistic realm whilst proportions proliferate beyond the nine selected integers and the two chosen irrationals, a/okay/a while rigorous in harmonious layout does not suggest slavish, it also does now not imply sloppy or obtuse.
 
3. Getting obsessive with these items could make you crazier. Enjoy.
 
4. There is a bent to momentum, a propensity herewith in that proportional opportunities can gift themselves sui generis with proportional precedent.
 
5. There get up sensible limits especially on interiors whereat characteristic can rule.
 
6. There is not any escaping a network’s inattention to these subjects whilst a customer needs the assignment ought to conform to on occasion hideous design desire factors in retaining up with the Joneses, e.G., oversized home windows, cascades of gables, unbalanced segments, predetermined clad and trim, and so forth. [a point which is mirrored in client or community insistence in ignorant or insensitive departure from well-expressed style], a/ok/a supply it up, the pony might not drink; you hauled the water.
 
7. Whimsy accounts well now after which. So does clever, or innovative; a touch divergence is a good aspect.
 
Eight. Don’t ever be telling yourself that those who have long gone earlier than you have been slacking in architectural design efforts of the pattern. Your barren lack of knowledge might be displaying. Even job site tradesmen not all that long before some time have been steeped in expertise of sacred geometry and Classical style [would that you are doubtful, sit down sometime with the photographed front elevation of a fine example of some well-known residential architectural style of, say, the late 19th century, and layout that elevation using a basic knowledge of harmonious design and the parts fit over and over and over again], those designers and builders being at the tail end of millennia of practice, practice, practice and recognize, admire, recognize for the craft.